Credit: Danny Sit

Credit: Danny Sit

About Karen LeFrak

A native New Yorker, composer and author Karen LeFrak has created vibrant, moving musical scores that have been presented in prestigious concert halls across the globe. She has received wide accolades for her children’s books published by Bloomsbury, Random House, and Crown Books.


In The Press

Interview about Gratitude – Sept 14, 2021


Interview about Gratitude – Sept 14, 2021

Q&A With Karen — June 12, 2021


Q&A With Karen — June 12, 2021


Ms. LeFrak is an avid recording artist and has released ten studio recordings since March 2021 – the four-volume Interlude, Days, Tomorrow, Continuum, Renewal, Awakening, and Months. Her eleventh album, titled Penumbra, features ten short solo piano works that evokes the partial shadow of a penumbra – the hazy, enigmatic space between darkness and light. Additional albums this season are Christmas Cookies (chamber music) and additional peaceful piano recordings. Her music has been included in hundreds of curated playlists and has been streamed over 31 million times.

Superstar violinist Joshua Bell applauds her first album project, Interlude, saying, “Karen LeFrak is a true renaissance woman. One can find much-needed peace and comfort in this beautiful collection of piano miniatures." David Foster also celebrates the album saying, “Karen LeFrak's melodies are haunting, memorable and simply complex. Melody is king and Ms. LeFrak does not disappoint to even a nano second!!!" A number of orchestral, chamber, and solo works from Ms. LeFrak’s catalog have also been recorded by the St. Petersburg Chamber Philharmonic, Mariinsky Orchestra, and Gloriosa Trio, who recorded on Centaur Records and performed on Colorado Public Radio.

Ms. LeFrak’s works have been commissioned and performed by a wide variety of prominent institutions and artists worldwide, including the New York Philharmonic; American Ballet Theatre; the Mariinsky, Joffrey and San Francisco Ballets; the New York University and Juilliard School Percussion Ensembles; the Shanghai and Miami Symphony Orchestras; Boston Chamber Symphony; pianist Anne-Marie McDermott; Sejong Soloists; and flutist Eugenia Zukerman, among many others. Her compositions have been heard at esteemed venues across the United States, Europe, Russia, and Asia including David Geffen Hall and the Koch Theatre at Lincoln Center, Kennedy Center, Mariinsky Theatre in Saint Petersburg, Moscow’s Kremlin for the 250th anniversary of the Bolshoi Ballet School, Symphony Space in New York, National Sawdust in Brooklyn, Bethel Woods Arts Center, Festival Napa Valley, and the White House – where her musical works Acceptance and the New Yorker Trio were honored at an International Women’s Day Luncheon.    

Highlights of Ms. LeFrak’s 2023-24 season include the premiere of “Bailamos” – the first movement of her Miami Concerto for guitar and orchestra – performed at National Symphony Orchestra’s annual Labor Day concert on the West Lawn of the U.S. Capitol, with the internationally acclaimed, GRAMMY-winning guitarist Sharon Isbin as soloist, led by conductor Enrico Lopez-Yañez. Later, the full concerto receives its world premiere by the Miami Symphony Orchestra. Additional highlights include performances of Sleepover at the Museum by the Singapore Symphony Orchestra with conductor Rodolfo Barráez, and by the Nashville Symphony with conductor Enrico Lopez-Yañez.

[Sleepover at the Museum is] a fun, new piece…a wonderful composition.
— David Foster, musician, composer, arranger, record producer, and music executive

Highlights of previous seasons include Sleepover at the Museum in Washington D.C. with the National Symphony Orchestra and in Shanghai with the Shanghai Symphony Orchestra; a choreographed version of Sleepover at the Museum in Chicago by A & A Ballet and in Guatemala City at the Bravissimo International Festival; the world premieres of Jake the Philharmonic Dog and her “Summer” piano concerto with the Miami Symphony Orchestra, led by Eduardo Marturet, Gravity, with the Johannesburg Philharmonic Orchestra and KwaZulu-Natal Philharmonic Orchestra; and chamber work performances by the American Composers Orchestra in New York, and by Gloriosa Piano Trio in Georgia and New York, among others.

Of Ms. LeFrak’s over 300 compositions, she has written several powerful orchestral works including a piano concerto, guitar concerto, and the multimedia children's scores Sleepover at the Museum, orchestrated by Bill Ross, and Jake the Philharmonic Dog. The dynamic and robust works bring to life Ms. LeFrak’s children’s books by the same name with the help of a narrator. Sleepover at the Museum was premiered by the Miami Symphony Orchestra, performed at Festival Napa Valley, received a semi-staged performance by the Missoula Symphony, and was performed by the New York Philharmonic with narrator Jamie Bernstein – Leonard Bernstein’s daughter – on its first-ever family benefit, honoring Ms. LeFrak's dedication and contribution to the Philharmonic. During the COVID-19 pandemic, the New York Philharmonic performance has been included in its "NY Phil Plays On" digital content online, making it available to millions of children around the world.

The New York Philharmonic has also premiered Ms. LeFrak’s A Bite of the Apple, Salute to New York at Lincoln Center and in Shanghai to celebrate the beginning of the Shanghai Orchestra Academy, paired with a video created by NYC & Company. Other orchestral highlights include her String Serenade, premiered at the inauguration of the new Shanghai Symphony Orchestra’s Chamber Music Hall in 2014; Questa Via, arranged by Bill Ross, premiered by the Miami Symphony and also performed at Festival Napa Valley; an orchestrated version of Nothing Left, arranged by conductor Eduardo Marturet, premiered by the Miami Symphony; Light, a commission by the Miami Symphony, premiered alongside a video installation celebrating the art of Sandra Muss; Ivan's Song for symphony orchestra, premiered at Mount Holyoke College and also performed by the Boston Chamber Symphony; and an orchestrated version of her Trio for Oboe, Horn, and Piano performed by Liang Wang and Philip Myers as a double concerto with the Shanghai Symphony Orchestra.

Windy Sand is introspective... .and altogether, creates moment after moment where you can practically hear the audience catch their breath. Pieces like this remind us why we watch ballet to begin with.
— Huffpost

Ms. LeFrak’s ballet scores have received wide acclaim including the pas de deux of her ballet score Pavlovsk, commissioned by the American Ballet Theatre – first choreographed by Roger Van Fleteren for the Studio Company of ABT and performed at the Joyce Theatre and a second setting, choreographed by Maxim Petrov, received its world premiere at the Mariinsky Theatre in Saint Petersburg, Russia. The work's success has earned a place among Mariinsky's general repertory and has been repeated many times since. Other noteworthy performances of Ms. LeFrak’s ballet scores include: MINIMALYRIC, written for Jiri Bubenicek who choreographed the work for his video project in February 2022 – Tanzgedicte Aus Der Stille; Gentle Memories, choreographed by Jiří Bubeníček and performed with Ekaterina Kondaurova at Lincoln Center’s Koch Theatre, in Prague, the Mariinsky Theatre, and at the San Francisco Ballet; her ballet Tous Les Jours, choreographed by Marcelo Gomes performed on the main stage of the Mariinsky Theatre, at Moscow's Kremlin for the 250th anniversary of the Bolshoi Ballet School, and the Gala Crescendo Con La Musica in Geneva, Switzerland with a second setting performed by Youth America Grand Prix at the Koch Theatre; her children’s ballet score, Bark! In the Park, choreographed by Chase Brock, commissioned and performed by the New York Theatre Ballet and at the Tilles Center for the Performing Arts on Long Island; Windy Sand, a ballet score for the Joffrey Ballet, choreographed by Alexei Kremnev, and performed at the Museum of Contemporary Art Chicago, the Joffrey Ballet Gala in Chicago, and by Youth America Grand Prix at the Koch Theatre; Space, choreographed by Antonia Franceschi at Barnard College; Cat's Cradle, choreographed by Gemma Bond, featuring the score The Assembly with the New York Theatre Ballet, for Bond’s Danspace Project in New York; the Cello and Horn duet, a commission by Youth America Grand Prix, also choreographed by Gemma Bond and performed at the Koch Theatre; and two versions of Nothing Left, choreographed by Juliano Nunes, performed by Youth America Grand Prix at the Koch Theatre.

 Ms. LeFrak’s chamber works include a wide variety of ensemble configurations from her Five Brass Pieces, performed by the New York Philharmonic Principal Brass at Make Music New York, to Five Pieces for Percussion performed by the New York University and Juilliard School Percussion Ensembles. The Gloriosa Trio premiered Gloriosa, a piano trio, at the New Jersey City University and have continued to feature the work on their programs around the world including at the Harvard Club in New York and the Boulder Chamber Orchestra's Chamber Music Series. The ensemble has also performed Ms. LeFrak’s piano trio, the New YorkerTrio, at Friends of Music in Stamford, the Harvard Club, New Jersey City University, and at the Parrish Art Museum. Other chamber works by Ms. LeFrak include Schubertia premiered by the 1B1 string ensemble of Norway at National Sawdust; We’ll Never Say Goodbye for violin and horn, commissioned by New York Philharmonic cellist Eileen Moon and performed by New York Philharmonic’s former concertmaster Glenn Dicterow and New York Philharmonic’s former Principal Horn Philip Myers at the Bethel Woods Chamber Music Series; Trio for Oboe, Horn, and Piano performed at the Warwick Music Series by former New York Philharmonic Principal players Liang Wang and Philip Myers with pianist John Novacek, as well as at the Bethel Woods Chamber Music Series, with pianist Joyce Yang; Prelude for 8 Celli, premiered by the Sejong Soloists at a benefit concert at Alice Tully Hall; Should I Stay or Should I Go for flute and string quartet, performed at the Rhinebeck Chamber Music Society Concert Series with flutist Eugenia Zukerman; Hungarian Folk Song for clarinet, viola, and piano, premiered at the Chelsea Music Festival of New York; Duettino for violin and piano, performed at Bethel Woods Center for the Arts; Urban Tango for piano and violin, premiered at the Cutting Edge Concerts New Music Festival at Symphony Space; and Clarinet Plus One and Twilight for clarinet and piano, performed at the Concert Artists Guild Gala at the Tribeca Rooftop; along with a myriad of others.

Yet the evening’s highlight was the impeccable Yuan Yuan Tan (in the flowing red dress), Tiit Helimets, Carlos Quenedit, and Luiz and solo pianist Ming Luke in the company premiere of “Gentle Memories”... set to Karen LeFrak’s poignant score.
— San Francisco Examiner

Among her many solo piano works, her 3/4 Suite – a collection of piano miniatures – was performed by Anne-Marie McDermott on the Bethel Woods Chamber Music Series and several piano solo works including Ombres d'été were performed by Yoonie Han of the Gloriosa Trio at Symphony Space's piano series and recorded by her for Steinway’s Spirio, the world's finest high resolution player piano.

Inspired by her passion for classical piano, which began when she started playing the instrument at age three, Ms. LeFrak launched her career as a composer around the same time she introduced young people to the worlds of music and dance in her first two acclaimed children’s books – Jake the Philharmonic Dog and Jake the Ballet Dog. Her next book, Best in Show – in which she shares her passion for raising Standard Poodles and breeding many champions – and her fourth and most recent book, Sleepover at the Museum (published by Random House in 2019) received similar high praise. Sleepover at the Museum was named a 2020 International Literacy Association CBC Children's Choice Title. Ms. LeFrak has been invited to speak and read at museums, bookstores, and concert halls throughout the United States including the Natural History Museum of Los Angeles County, Miami’s Frost Museum of Science, and New York City’s famed public library among many others.

Ms. LeFrak is a member of the President’s Council of the Society of Memorial Sloan-Kettering. She previously served on the New York State Council on the Arts and as President of the Women’s Committee of the Central Park Conservancy. She graduated magna cum laude from Mt. Holyoke College and received her master’s degree in musicology from Hunter College winning the Dean’s Award in Arts and Humanities for her thesis, “In Search of the New Classics,” which surveyed the commissioning activity of the New York Philharmonic from 1842-1986. In recognition of outstanding achievement, she was elected to the Hunter College Hall of Fame in 2010 by the college’s Alumni Association. She was featured in Good Housekeeping's “10 Amazing Women In The Arts Over 50” in 2017. Ms. LeFrak studied composition privately with Robert DeGaetano, Jonathan Anderson, and Daniel Boico. She is married to Richard LeFrak, president of The LeFrak Organization, one of the world’s largest land development and building firms. They currently reside in Manhattan, Southampton, and Miami and have two sons, five grandchildren, and two poodles.

‘Sleepover at the Museum’ by Karen LeFrak is charming, and the music accessible and imaginative. LeFrak’s composition retained a sense of purity and simplicity that was fitting to its young target audience. She succeeded in capturing the features of each scavenger hunt clue with clever instrumentation and musical motives.
— South Florida Classical Review
[Sleepover at the Museum is] a good selection to pique children’s interest in a scientific field, as well as inspire them to have their own adventures.
— School Library Journal